Is it too soon for a recap? If a blog is thinking aloud then that is what I’m doing now. I chose these three drawings totally at random, they just happened to be nearby. They remind me that my natural instinct is for variety which in these days of the tyranny of the theme could be a bad thing. There are three types of drawing here: 1) a drawing from life (the old lady in the wheelchair); 2) an analytical drawing of an abstract painting, and 3) a drawing from memory. I doubt that classifying them in this way is the least bit helpful, though I did recently come across a claim by a 19th century British writer that all thinking is classification, or something to that effect. I will look for the quote. It bothered me at the time because it had a dogmatic, closed-mind kind of ring. Plus, in terms of classifying I’m a joiner and not a splitter. I tend to look for common factors. In these three drawings a common factor is that they’re all scribbled, they’re not neat or tidy. This suggests that my intention in making them was not to make presentable drawings of the kind you could frame and sell. Which brings up the matter of “the artist’s intention”, a whole subject by itself, with its attendant theories and controversies particularly in the last fifty years. To put down my stake: in my view figuring out the artist's intention is the surest straightest route to understanding art.